The Rado, an octagonal case in cool steel with gold accents at the pins, sitting inside a leaf-link bracelet that catches marquise-cut stones right where the links meet the case. Silver dial, gold hands, quiet enough to let the bracelet do the talking — this is a piece that was built stone by stone, link by link, with the case almost an afterthought to the metalwork surrounding it. The two-tone detailing keeps it from reading as too cold, too clinical.
For someone who wants her jewellery to tell time, not the other way around.
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